Wednesday 21 November 2018

Encountering the Crucified One: The Beginnings of Franciscan Christology as seen in three encounters of St. Francis with Jesus as depicted in the Legenda Major of St. Bonaventure





In this short article it is my intention to indicate the beginning of certain themes that will influence the future development of Franciscan Christology. We find them present, though in seed form as it were, in the conversion narrative of St. Francis as given in Bonaventure’s Legenda Major. 

To do this I will look at the three fundamental encounters with Christ that Francis has en route to his full conversion and embracing of a life of evangelical mendicancy. The first, his dream of a house filled with arms and knightly apparel while already on the road to battle; the second, his encounter with Christ under the guise of a leper; and, thirdly, the encounter with Christ through the crucifix of San Damiano.

In all three of these events we will see the seminal beginnings of elements and themes of an implicit Christology which will inform the life of Francis and the Franciscan movement through the ages. We will see that each of these events is characterised by an encounter with a hidden Christ who, when manifested or recognised through contemplative awareness, is then responded to by action and affective movement on the part of Francis. Thereby situating from the very beginning of the Franciscan vision the understanding that we must discern an apprehension of who Christ is, and how we are called into the fullness of life by Him, at the nexus of both contemplation of, and action on behalf of, the same Christ we encounter.





The first encounter: The Knightly Dream:

Bonaventure situates the first of the acts that we will look into at the very outset of Francis’ conversion. Post a period of illness that could “enlighten spiritual awareness” (LM 1:2) he tells us that Francis at this time is still in a state of ignorance as to both his future and the ability to discern God’s plan for himself. After charitably clothing a poor knight that he meets in the town he receives the first part of the knightly dream being shown “a large and splendid palace with military arms emblazoned with the insignia of Christ’s cross.” ( LM 1:3) The figure of Christ is present through the symbol of the cross. He is at one and the same time both the centre of the dream in its primary symbol and its hidden heart, just as surely as the meaning of the dream is hidden from Francis. Upon waking, Francis, whom Bonaventure tells us is not yet skilled in interpreting the symbolic schema of dreams, attempts to bring about its fulfilment by taking up arms. This course of action is summarily stopped by the second dream of the cycle wherein he is asked,
“Who can do more for you a Lord or a servant, a rich person or one who is poor?” (LM 1:3)
This time Francis recognises that the dream is inviting him into mystery. He realises that he has interpreted his future course incorrectly and asks,
“Lord what do you want me to do?” (LM 1:3)
When the Lord answers that he is to return to his town and there await a spiritual outcome he obeys immediately, the fruit of this actioned obedience being a spirit of care free joy. This care free joy is seen as the fruit of true obedience throughout the monastic tradition but is especially a fruit of it in the Franciscan vision of religious life.

Already in this encounter with the “hidden Christ” of the dream, aspects of just who Christ is for Francis, (and later the Franciscan movement), can be seen. He is firstly the one who calls us to joy. Joy that is revealed and accessed through conformity of our will to His will in obedience. Just as Christ conformed His will to that of the Father, so the follower of Christ, (and of Francis), will have to walk that path of obedience. For Francis setting out on the path of obedience is both a contemplative act, in the surrendering of the will to the hidden Christ of the dream, (“Lord what do you want me to do?”), and an affective action of instant obedience that frees him and brings a state of spiritual joy.





The second encounter: The Leper on the road.

Setting the scene of the second encounter Bonaventure tells us that Francis is still seeking the discernment of God’s will for himself while slowly separating himself from the “pressure of public business” (LM 1:4) We already see in Francis the beginnings of an oscillation between contemplative withdrawal and the call to the market place of action that will only find its balance in the later Spirit filled discernment of Sylvester and Clare. Francis is described now as a man in whom the heavenly flame has been kindled through the practice of fervent prayer, and it is in this spirit that he will meet the leper on the road. Recalling the earlier images of knightly aspirations Bonaventure begins the story by seeing Francis as a Knight intent on the conquering of himself for Christ and the encounter with the leper as one of the trials of chivalry that the great heroes of the romances would go through. Francis is even pictured on his horse, like a spiritual Galahad riding into battle. To begin we are told that even seeing the Leper in the distance struck him with “not a little horror” (LM 1:5) but that Francis overcame his feelings of repugnance and humbling himself by descending from the horse he gives the leper both the alms he seeks and a kiss. On resuming his seat he finds the Leper vanished, (to all of Bonaventure’s medieval primary audience this would have at once indicated that the Leper was either an Angel or even Christ Himself), and so Francis immediately begins to sing the praises of the Lord.

In this encounter with the Christ who hides beneath the guise of the poor and the marginalised, (the Christ of Matthew’s judgement scene), we see another seminal layer of Franciscan Christology laid down, wherein the contemplative withdrawal of the follower of Francis should go hand in hand with a growing awareness of the presence of Christ in all people and especially in the poor and particularly those exiled to the edges of society. Francis finds a silent Leper Christ. One who always assumes the lowest place and whose taking on of leprosy as His “disguise” issues a challenge to find the Lord God in the lowest place. Indeed, as this event happens while Francis is still trying to discern his own vocation, we can say that it is only in the letting go of our own privilege and ego, (dismounting from our horse as it were), that we become open enough to the revelation of the hidden silent Christ so that our purpose may be revealed to us. Bonaventure expressly demonstrates this movement as being essential in the following of Christ as in the very next paragraph he links the encounter with Christ as Leper to the vision Francis has of the crucified Jesus and the appropriation that Francis makes to himself, (an appropriation that we are all called to make), of the Gospel text to deny ourselves, take up our Cross and follow Christ.

This leads us beautifully to the third and final encounter we will consider.





The third encounter: The Christ of San Damiano

We find this encounter at the beginning of the second chapter of the Legenda. Here Christ is not hidden anymore, though His purpose and command are at first misunderstood by Francis. In the crucifix of San Damiano Francis continues his deepening dialogue with the Lord, “who became humbler even to accepting death.” He is “led by the Spirit” and enters the church to pray, and there beholds the crucifix. While the Christus figure of the San Damiano Cross is depicted as alive and triumphant He still bares the bleeding wounds and the loin cloth of the moment of crucifixion and death. Like the Fisher King of the Arthurian legends wounded and yet a healer, (a figure that Francis would probably have been familiar with), Christ is represented on the Cross both in His eternal divinity as the Lord of History and the impassable Logos, and at one and the same time, in His humanity as the suffering servant of Isaiah who silently endures. Here on the Cross of San Damiano Jesus is the Lamb of revelation, dead yet alive upon the Altar. In the triune perfection of the call that issues from the Cross telling him to, “go and repair my house, which as you see, is all being destroyed.” (LM 2:1) Francis once again moves from contemplation of the Crucified to action. Action which, though at first is misguided in its literal interpretation of the command, eventually bears fruit in not just rebuilt churches, but in the service of a universal Church who, in its chief shepherd, will recognise him as the one who will help in holding up the sinking edifice of the faith.

So we may see the unfolding conversion of Francis characterised by a growing realisation of just who Christ is. We are the witnesses, through Bonaventure, of the beginnings of a life lived for God alone. A life which, in its distinctive character and expression, will set the foundations of a Franciscan Christology that, arising from these charismatic and contemplative insights of Francis, will centre the movement on relationship with the Christ who is both near in the poor and the marginalised, and far above us as the hidden Lord of the castle of our knightly desires. He is revealed as the One whose sacramental presence will be venerated beneath the veils of leprosy and isolation just as truly as beneath those of bread and wine. Above all else, He is the crucified who calls us to share in His mission of reconciliation and peace, eternally suffering and dying, rising and reigning. It will be on these foundation stones that the vast work of Franciscan Christology will be built, always calling us back to the contemplation of our own moments of encounter with Christ, hidden or revealed, so as to lead us through Him, with Him and in Him to the building of the Kingdom within us and then within the world.




Br. Richard Hendrick OFM Cap
(Originally written as an essay for the Franciscan Formation Studies Course in Canterbury 2013)
Picture credits: Pics 1 & 3 Piero Cassentini, Pics 2 & 4 uncredited)